Kenya: British Council to Host Music Awards The International Young Music Entrepreneur of the Year award that was launched in 2006 is back. The British music award celebrates achievements of young music entrepreneurs - whether label managers, artist managers, DJs/VJs, festival directors, music or retailers- who are working in emerging economies.Coming to Kenya for the second time, the programme is a big boost to an industry that has shown signs of growth in the last five years.In the 90s, the industry was slow with most business coming from cassette sales.When music with wider appeal started playing on television stations, a fan base was built. This has boosted revenue from public performances; more music programmes have also been started to satisfy the growing demand."We recognise that a participant may be active as a musician as well as being focused as an entrepreneur in the promotion of music in their country," said a British Council officer.The council, which is organizing the programme, promotes arts, culture and research in different countries.Each year, between eight and 10 participants from emerging economies are selected to take part in the competition through the British Council network.To start the process, a national jury of leading industry players in the respective country is created and an open selection process established.Candidates, all aged between 25 and 35, are selected on the basis of their contribution to the development of music, and their potential as leaders in the music business in their countries.The contestants go to UK as part of the finals and get an opportunity to interact with other artistes.The tour, organized in June each year, provides a tailored introduction to the UK music industry, including meetings with senior industry figures and a chance to visit London, Manchester and attend the Glastonbury festival.Glastonbury is the largest Greenfield music and performing arts festival in the world.The festival aims to encourage and stimulate youth culture from around the world in all its forms, including pop music, dance music, jazz, folk music, fringe theatre, drama, mime, circus, cinema, poetry and all the creative forms of art and design, including painting, sculpture and textile art.After a day of presentations from the finalists, the winner is chosen by a UK jury. The winner receives a financial award of about Sh1 million to be spent on a collaborative project with the British Council.Last year, Nigerian Audu Maikori, chief executive officer of Chocolate City, emerged the winner. Eric Wainaina represented Kenya."Participating through the award taught me the power of good music, which can be enjoyed by people all over the world and if used properly can be a means to effect great changes socially, politically and economically," said Maikori.The entertainment lawyer based in Lagos says that though the process was very competitive, he still had faith in his talent."Most memorable about this experience is the meeting with one of the most memorable Tony Platt- an award winning producer and sound engineer-who worked on Bob Marley's Catch a Fire album among hundreds of platinum selling albums," he said.This was at the Glastonbury music festival- where over 180,000 people gather in one place for three nights just to worship in the temple of music and a tour of Manchester-the music capital of the UK. He says that his participation in the competition was an opportunity to learn more about the music industry.

Botswana: Vee Unearths Captain of Music

Botswana: Vee Unearths Captain of Music Black Money Makers have unearthed another gem. Captain Dira (real name Diratsagae Mahupela) is the latest talent to emerge out of the company owned by one of Botswana's brightest music stars Odirile 'Vee' Sento. Already Vee is speaking highly of his latest signing. "He is the biggest artiste I have registered at Black Money Makers. There are only a few who possess his kind of talent. He is so dynamic and interesting," Vee said.Two months after his album hit the shelves, Captain Dira has already started climbing the success ladder. Shows are lined up for him week in week out and Combi drivers do not seem to get enough of his music.But more interesting is the fact that fans seem to be more hooked on his vulgar song - Machobane. In the track Dira expresses his displeasure at the way people are cheating each other in relationships. He uses explicit and blunt language. But who cares because the fans especially love lines such as "O a ja o ajelwa, mongwe le mongwe oja ee wa gagwe"."This song is not vulgar. It is only saying things the way they are. No one can deny that relationships are strained by the cheating we seem to be so obsessed with. It is unfortunate that when people cheat, they do not realise that they can also be cheated. It is not that I encourage people to go about doing it. It is the reality that we have to live with. What goes around comes around," Dira said in defence of his popular track.Though he has dubbed himself a Captain, he is not a soldier as many have assumed. He and his 'boss' Vee say they needed a name that carry weight to introduce him in a big way."In the army institution, there are all these ranks like Major General, Lieutenant as well as Captain. He is captain at Black Money Makers because we do music with the same kind of discipline and he deserves a high rank than Private," Vee said jokingly."But seriously speaking, we felt that the name Captain will be more popular than if we used his birth name," he added.Born in the North East village of Matsiloje, Captain Dira has always been a big fan of both Kwaito and Afro-Pop. But when he finally decided to join the industry, he chose to do traditional music."Naturally, I like both Afro-Pop and Kwaito but I discovered that there was something that these other traditional musicians were not doing. So I tried to mix our traditional music with Mpaxanga, Afro-Jazz as well as Afro-Pop and it has worked well for me," he said proudly.In his release, the track Gumba especially has a real African feel. It has the potential to make a mark outside the country if properly marketed. Many have already associated it with South Africa. The heavy bass backing vocals feels like the sounds of either Mbongeni Ngema or Black Mambazo. It is a love song fit to be played for a prince on his wedding day. Dira's soft lead voice makes it sound sexier. Surprisingly, the title track Matalanyane is not as popular.Before the recording of the album, Dira was just a session artiste. He featured in Acid's traditional house track Banyana le basimane and Robert Dargei's Music Kings of Botswana. He has collaborations with Vee, Franco and Bisto among others. While many are singing his praises, one question remains. How long will he last in this tough up and down world of music?.

Zimbabwe: Famous Seven Back in Music Industry

Zimbabwe: Famous Seven Back in Music Industry ARE the Famous Seven - who first stole the music limelight with their hit single Chimbekeya in the 1990s - still famous, as their name suggests? And if word that they are back and here to stay in an industry where the likes of Alick Macheso rules the roost is anything to go by, will they manage to stand on their own feet without the leadership of Staben Mawire, whose death created a yawning void in the band?The Herald recently caught up with Moses Tafirenyika, one of the few surviving members of the Famous Seven who conceded that they had gone quiet but were now on a revival course."Zvanga zvadzikira, but if we keep on holding more live shows as we are doing right now, we will definitely rise again. We have two new albums in the pipeline," said the 43-year-old Tafirenyika who repairs sewing machines in the capital.So, when can people expect to see the two albums on the market?"We are currently assessing recording companies in order to see which ones we can best work with. We want a recording company that will accept our music on merit."We were frustrated when we recorded three albums with RTP between 1997 and 2002. They were not marketed properly. We ended up wrongly accusing radio DJs for not playing our music on air but they would tell us that they never received any promotional copies from the recording company," he fumed.How did the name come about in the first place?"It was in 1989 when we were operating as Mutinga's Combination and we felt time was ripe for us to record our music. We feared that if we were to record using Mutinga's name -- the owner of the instruments we were using then -- would lay claim to ownership of the band and that is how we settled for the Famous Seven."Tafirenyika said the original Famous Seven comprised himself and his brother Job, Mathias Gaston and the late Sydney Sabawo, Simon Bhaudheni, one only identified as Eddie and Sheila Saizi."We then hooked up with Mawire a few months later after the people he was supposed to record with had ditched him. Our first single was Sarura Wako followed by the album Ndafunga Kure three years later," he recalls.The group's big break came in 1992 when they toured the United Kingdom and performed in Birmingham during a gig that featured three other bands from the Caribbean Islands, Tanzania and the Democratic Republic of Congo.Born on April 10 1965 in Murehwa, Tafirenyika started playing the lead guitar at a very tender age dabbling with homemade guitars before going professional years later in Mabvuku by teaming up with several other youths who had a passion of music. To other musicians, Tafirenyika who is married to Synodia with whom he has three children has this to say: "One of the keys to success in music is perseverance. Music inoda kushinga because chipo chinoerera nemvura. To our fans, we are not dead we are still there."

Uganda: Kasodde Launches 3 Albums

Uganda: Kasodde Launches 3 Albums COMEDIAN Billy Katumba a.k.a Kasodde of CBS fm launched three-albums on Friday at Hotel Equatoria. Kasodde and his six-member-only-male band put up a unique show. He wore a suit, while the other members wore gomesi.Kasodde sang the three-title tracks of the albums; Kiriza, Omwana w'abanda and Teddy Bear, respectively. The songs, which are popular, especially among women, sent revellers into a frenzy - they joined him on stage.Other artistes who also performed are the Amarula Family, Kayibanda, Sophia Nantongo and Geoffrey Lutaya of Eagles Production. The setback of the show, however, was the many upcoming artistes who curtain-raised. By the time Kasodde performed, some fans had left.

South Africa: A Life in Opera - Siphiwo Ntshebe

South Africa: A Life in Opera - Siphiwo Ntshebe Siphiwo Ntshebe found his voice at a very young age. When he sang in church as a little boy of five, Siphiwo was amazed by the sound of his voice resonating throughout the building. He realised it was a gift from above. And so Siphiwo sang tributes to God in the church choir. From singing in the church where his father was a preacher, Siphiwo grew to love another musical genre when he saw Mario Lanza on television. Siphiwo knew that this was his calling - the grand stage of the opera. "I was mesmerized by Lanza's performance," said Siphiwo. "I wanted to sing the wonderful arias of master composers as he did."The young boy from New Brighton, a township in Port Elizabeth, South Africa, was determined to realise this wish. It was a bold dream for Siphwio to harbour the hope of carving out a career in opera in South Africa and beyond. From the ghetto to the grandeur of opera houses around the world - that was his heart's desire. Siphiwo would not let poverty block his path to the big stage. He would use his voice to make the world listen.Siphiwo won scholarships to study opera at Cape Town University, the Queensland Opera House in Brisbane, Australia, and at the Royal College of Music in London, UK. He is now working with music impresario Sally Civval who is creating global platforms to showcase Siphwio's talent.Thirty-three-year-old Siphiwo has a voice that is remarkably reminiscent of Pavarotti, who was an inspiration. The South African tenor will perform 'Nessun Dorma', a song the late Italian tenor was renowned for, at the ComCelebrate! concert to be held at the Commonwealth Secretariat in London on 14 March 2008. Siphiwo will also perform arias by Puccini and Verdi. His repertoire ranges from Mozart to Bizet and Rossini to Tchaikovsky.When Siphiwo sings their masterpieces, he makes their compositions come alive by transforming his vocal rendition of a classical tale of love, passion, betrayal, loss and tragedy into poetry.Siphiwo, who has performed in South Africa, Australasia, UK and Europe, aims to sing and record albums with renowned orchestras, including the London Symphony Orchestra and the BBC Symphony Orchestra. He is raising funds to accomplish this.In October 2007, Siphiwo launched a concert series at the South Africa House in London. It was the first of a series of concerts to be held in each of the 36 South African embassies around the globe."I would like to share the joy of opera with people around the world. A concert performance should endure beyond the opera house. It should be accessible by others who cannot be at the event to also enjoy opera in the way it uplifts the spirit and enriches the soul," said Siphiwo. "I want to be in the living rooms of opera lovers, as well as those who have yet to discover this inspirational genre of music. Through my CD albums, I can sing for them again and again in a never-ending performance," he quipped.

Botswana: Culture Spears to Unleash New Hits

Botswana: Culture Spears to Unleash New Hits Popular award winning traditional music group Culture Spears are putting the final touches on their third album to be released in a fortnight. The group's lead singer Kabelo Mogwe confirmed to Showtime over the weekend that their new product is on the way and their fans should brace themselves for more captivating hits. "We are busy preparing our third album and hopefully it will be out in two weeks," he said.Though he would not elaborate, Mogwe hopes the album will be out before the Easter holidays. He said their fans should be patient as the group is preparing "something hotter" than Kulenyane, which won the group three awards last year.Although their counterparts in the music industry started this year on a high note, the quartet have never featured in any show and their fans were unsure of the group's whereabouts. Asked what they had been doing behind the scenes since January, Mogwe explained: "We are still around but have been concentrating on the bigger South African market."He revealed that they have taken South Africa by storm, with Culture Spears staging shows in provinces as far as Limpopo. He said their music had been initially popular in the North West and Gauteng but they have since spread their wings to other provinces.Mogwe is excited at their prospects in South Africa. He indicated that they have learnt that their music is equally popular in Lesotho."Recently a group of people from Lesotho were here (Gaborone) for a conference and they demanded that we perform for them. They asked us if we could travel to Lesotho because people out there love our music," said a happy Mogwe.He added that they have grown tremendously and would not want to disappoint Batswana. He said if they were based in South Africa they were not going to release an album because Kulenyane was still doing well. As a result of the pressure from Batswana, they are going to release new songs.Culture Spears, which originates from Kasane, comprises of Mogwe, Magdalene Lesolebe, Thembeni Ramosetlheng, Lydia Oile, and Jellinah Mokgwatheng. The group shot to fame with Korone a few years ago. But as they became more established they were eventually branded bo-Mmadikokwana because they had a song called Mmadikokwana in the album.Kulenyane, their second and previous offering, made them immensely popular. And following high demand from the corporate world, the group decided to maximise their earnings by stopping staging public shows in preference of the mouth-watering offers from giant companies. Talking of thesuccess, Kulenyane won them the Mascom Botswana Musicians Union (BOMU) Song of the Year, Best Artist and Best DVD awards.Mogwe vowed that they would work hard to live up to their reputation on the local music scene. If their previous albums are any yard stick, the coming one should make waves as well. Meanwhile, Culture Spears have sponsored another traditional music artiste Mmusi Dikgole aka Topito to release his second album Bagolo Bame.

Kenya: 200 Tested for Tusker Project Fame Slots

Kenya: 200 Tested for Tusker Project Fame Slots Auditions for the Tusker Project Fame 2008 edition kicked off on a high note Sunday in Mombasa where over 200 contestants were expected to showcase their talent. The event, which was held at the Tembo Discotheque, brought together hopefuls from all parts of the province in a competition where the finalist will walk away with Sh5 million, a recording contract and a chance to become a famous music superstar.The project is the second edition of East Africa's premier music reality TV show, sponsored by the East Africa Breweries Limited. The company is investing over Sh350 million in the project. A similar project was held in 2006 and Kenya's Ms Valerie Kimani emerged the winner. Not allowed Ms Mumbi Keega of Exclamation Marketing said the participants are expected to perform music of all genres apart from rap, adding that musicians whose music is on sale are not allowed to participate.Auditions have already been held in Nakuru and Kisumu, and the judges will move to Nyeri and Nairobi next weekend. This is the same weekend (Saturday, March 15) that renowned artiste Akon (Aliaune Thiam) will be performing at the Carnivore grounds.The Senegalese-born US artiste cancelled his tour to the country recently due to post- election violence. There will be 15 finalists, five from each of the East African countries.

Nigeria: Benin, Ibadan Agog for 2face and Friends

Nigeria: Benin, Ibadan Agog for 2face and Friends THE ancient city of Benin last Saturday was rocked with the loud vibration of music blasting from the Sports Complex of University of Benin venue of the much hyped MTN Xtra Cool musical concert tour with 2face and friends. Over ten thousand adult youths most of whom were students of Uniben and surrounding higher institutions thronged the mega concert venue to watch celebrity artistes that had teamed up with multiple award winning singing sensation 2Face.The occasion was the kick off of the much publicized MTN Xtra Cool Tour with 2Face and Friends, put together by Dojoes Management and powered by MTN's lifestyle youthful brand Xtra Cool.The concert was preceded with visit to Good Samaritan Home on Saturday, March 1, hours before the concert proper.The tour team, comprising MTN, Dojoes Management, 2Face Idibia and retinue of artiste friends such as Sasha, Marvellous Benji and Sound Sultan among others.2Face donated various items on behalf of MTN, which include food, clothes, shoes to the less privileged children of the home.The African Queen crooner inspired residents of the orphanage with his words and music which he sang to their admiration.And to the chagrin and joy of the children of the home, the mega music star, in his magnanimity, donated a sum of N100, 000 in cheque. His donation was supported by the chief executive officer of Dojoes management, Mr. Femi Ogundipe.The concert proper on Saturday, kicked off at 4.00 p.m and was rounded off by 8.00 pm, with a party at Hexagon Night club.And in Ibadan, the fans of the music star and MTN Xtra Cool subscribers in the rustic city were on Wednesday, March 5, thrilled to the fullest by the multiple KORA award winning star and the retinue of his star studded musical friends.Venue was the Polo Club along Eleyele, Jericho. Most of the youths did not only enjoy the life music performance of all the artistes they went home with lots of MTN freebies.Some of the artistes that performed in Benin on Saturday include: Sasha, Blacktribe, Marvellous Benji, Sound Sultan, Nneka from UK, Da-Natives, Zulezu, Timaya, Daneki, Stereoman, Rock Steady, W4, and Ruff, Rugged & Raw among several other local and international artistes, comedians and Djs. Among 2Face Friends from the international arena coming to support him with their performances atthe concerts is Damian Marley, son of the legendary reggae music icon Bob Nester Marley.

East Africa: The Return of Rhumba

East Africa: The Return of Rhumba    A RISE IN THE POPULARITY of contemporary "easy listening" music around the continent over the past year presents a new platform for East African music in the international market. The biggest beneficiary is the rhumba from the 1970s, which has a distinct benga flavour and taps heavily into the Swahili cultures of the Coast to create a unique flavour that is purely East African.This uniqueness favoured Maroon Commandoes album Shika Kamba, which hit the African music charts compiled by London-based Sterns Records, the world's largest distributor for African music. It enters a field opened up by two previous overseas releases - The Giants of East Africa by Orchestra Super Mazembe and Kenya Dancemania - a compilation album with 1970s hits from Kenya and Uganda.The rhumba factor was noted by Mike Andrews of AI records, a prime mover in breaking music from this region to the international market, "The mix of rhumba and benga sung in Kiswahili has been a major attraction in the overseas market."The main customer base is East Africans living abroad but observers note a growing segment of other fans who have had contact with the region.This has also encouraged promoters to start looking at East Africa as a good market overseas. The numbers may not quite compare to those in the mainstream market but do certainly justify good low-budget shows.The attraction to rhumba and to an extent slow benga is reflected in the related interest in guitar-based music from Africa that was a strong factor in the 1960s and 1970s.This factor has favoured easy listening music from the Democratic Republic of Congo largely driving the revival of a wave of golden oldies of the TP OK Jazz and a huge catalogue from that era.Among current chart toppers in this mould are The Voice of Lightness by Tabu Ley and a huge archive of other recordings by Kiamangwana Mateta currently on reissue.THE SUCCESS OF LA BONNE Humeur by the late Madilu System issued shortly before his death last year may be unique in that it was a new recording but it notably marked a return to the 1970s character of the easy listening urban music from the Congo.This same trend has whipped up interest in easy listening 1960s and 1970s style in African music from other parts of the continent to build a huge catalogue of vintage retro music that defined the migration from ethnic genre, to the first generation of urban music from the continent, using a dose of other influences for universal appeal. The focus now appears to be on this easy listening genre and the challenge for the region music promoters is to build on the catalogue and, more important, new recordings that borrow from this concept.

Uganda: Qwela Brings Soul Jazz to Country

Uganda: Qwela Brings Soul Jazz to Country Could it be that jazz is finally catching on among Ugandan musicians? A number of musicians in Kampala released many albums in a short period of time. And for Joseph Kahirimbanyi the leader of Qwela Band, who to his friends is also known as Joe, his album is a collection of feelings from the last decade. "When I listen to the songs I have written, I can remember what I was going through at the time. I call them experiential songs. I would say this is about pieces of my life much as this is a debut concert for Qwela band."Asked when he started singing, he tells of the time they lived in Kabale at a tender age. He played a guitar given to him by an expatriate, then a neighbour and the first song he learnt to play was the old Sunday school song Oh God is good..."My family got tired of hearing me play that song as it was all I knew, but that was the beginning of my music. I considered music as a career in my S.5. I always wanted to sing to perfection and mould people's lives long before I even got saved."The word Qwela spelt with a "K" in Rukiga means bright or holy. In South Africa, it's a Zulu word that means arise and it also means to make music with a flute (ikwelo.)At the age of 28, the former member of Desert Streams a group of seven high school boys that was started in their senior five reminisces of the times when they went about playing acoustic guitars and singing in different schools long after they had left high school. He on the other hand is still going strong with his music and hopes that very soon, there will be a regroup with the old team.Desert Streams then consisted of Dennis Kiima, Jack Odari, Martin Atukunda, Mugi Sherurah, Isaac Nuwagaba and himself. They have since taken on other jobs but Joe believes that soon the long break the former group has had will be soon come to an end.Joe tells of his new band that started two years ago. Its band members include, Festo Mugume a keyboard and bass player who also works as a networking engineer with ATX International.He has over 15 years experience-playing keyboard in various bands in Kampala and U.S.A. Rudiger Egwang a singer, who is a songwriter is currently pursuing a bachelor's degree in Entrepreneurship and Small Business Management.Elizabeth Kiiza is a vocalist in the band and a dancer with I4C, a gospel group in KPC. She is a music teacher at Ambroseli International School, Alyse Nakato is a vocalist with the band and plays percussions. She also is a one of the pioneers with the gospel dance group I4C and is currently working with Watoto as a social worker.Michael Ouma who is versatile with many instruments plays the guitar, trumpet, keyboard and bass. He is a performing artiste and over the years, he has played with a number of Bands, and African orchestras all over Africa, Europe, and Latin America. He is also part of the renowned Africa ensemble "Soul Beat Africa".Roy Kasika known to his mates as "The Drum Machines" plays the percussions as well. He just completed his A-Level at Eagles' Nest Secondary School. Patrick Uringtho plays the bass guitar and also works with Farbrooks Water Purifiers Company Ltd based in Kenya, Emanuel Anikuru plays the trumpet and does vocals in Qwela. He is a Software engineering student at Aptec. Bakka is also a percussionist with soul Beat Africa.Nsubuga Herbert is a drummer with True Worship Centre Mengo and Isaac Sajjabi is a freelance trombone player. Having grown up in Kabale with his six other siblings, Jose's first visit to Kampala was only after his S.6 vacation.He now specialises in playing the guitar and the percussions. His most memorable performance, which he considers to also be the most embarrassing of all was in South Africa at what he considered a big gig."There I was, standing in front of a big crowd at one of the prestigious fashion events. As I started singing, the guitar volume kept going down. By the time I was finished, only I could hear me strum my guitar. I had done a lousy performance and gotten really angry with the sound guy. I had not connected with the audience. I just walked off feeling embarrassed and they did not even clap their hands. They just sat still."His perspective of life has changed over the past three to four years. "I have learned that everything in life only has meaning when you look at it in the perspective of the end.Then, life starts to have meaning and purpose." Joe a graphic designer by profession and owner of "Miracle Worx" a multimedia company based in Ntinda, regards his choice of music as rare and says Jazz Afro Soul is more satisfying and more enjoyable."I consider my music an African perspective of soul with contemporary and jazz beats.I only learnt music by listening to others sing. When it comes to graphic designing, I think I have a natural knack for it. I'm a creative person and like the challenges I find in it. It is fascinating." He hopes that some day soon the band will embark on world tours to Europe and America.Over the past two years since their start in February, Qwela has performed at a number of functions such as the retirement bash of the former Bank of Uganda Board Secretary, the congratulatory bash for Justice Kanyeihamba upon being appointed the ICC and the Valentines Ball at Hotel Africana. "I think our music will be appreciated better overseas than it will here."Jose gets his inspiration from to old timers such as Daniel Winans, Hugh Masekela, Bob Marley, Tracy Chapman, James Brown, Sam Cook, Leni Williams and Selila Selota."When you listen to different types of music, different influences come in at a subconscious level. A little piece of their work stays with you and it manifests while you are playing."Just the other week, they held their debut concert at Kembazi's Catering Centre located in Naguru. "We had been looking forward to this day and when it came there is no better way to explain how excited we were. Much to our disappointment, the crowd was small. But that is just the beginning anyhow. We hope that next year in May, we will have many of this kind. I am optimistic the crowd will grow as time goes on." Their new album, House in The Country (Kidepo) has 12 tracks.

Kenya: Singing for Your Votes

Kenya: Singing for Your Votes THE CLAMOUR FOR YOUTH votes is turning political rallies in the run up to Kenya's 2007 general election into entertainment events featuring mainly urban youth music. Artistes such as Rufftone, Esther Wahome, Jua Cali and Kayamba Africa are all in big demand as the three major parties - Party of National Unity (PNU), Orange Democratic Movement (ODM) and Orange Democratic Movement-Kenya (ODM-K) - scramble for the flavour that will attract crowds to their rallies and hopefully deliver votes from this voter segment. For PNU and ODM, the preference is a mix of urban contemporary and hip-hop but ODM-K opts for a more gospel music flavour. However, ODM-K's key attraction so far is Mombasa-based Nyota Ndogo with her hit watu na viatu.But, unlike in most other countries where such engagement is considered an automatic endorsement of the party by the artistes, Kenyan entertainers are seeing it as just a day's work and are charging a premium price for appearance.So far, the pay has been good. According to Esther Wahome, the parties are paying up to Ksh100,000 ($1,492) for a performance lasting up to 15 minutes.She said that the increased business acumen among the artistes and bitter lessons from past experience are factors now motivating the musicians to demand high rates."Anybody taken in by any promises would be making a big mistake, because politicians are not known to honour their word when it comes to artistes," she said.Uyoga band leader John Katana concurs. He is urging musicians to go for the best deal possible."We know whom we shall vote for and that is a personal decision, but money is what keeps any business going," he said.This attitude is fed partly by the indifference musicians say they have suffered at the hands of successive governments. For example, previous regimes have turned a deaf ear to calls to curb piracy and failed to introduce measures to attract investment in the sector."Some of us make the mistake of buying the argument about serving our country through music, which is all a ploy to misuse us," said Ms Wahome.SHE COUNSELS CAUTION, SAYing that musicians should assess the offers and avoid those likely to damage their careers in the long run.US-based Congolese musician Samba Mapangala, who lived in Kenya for many years, is an example of a deal that went sour. In 1992, he was recruited by the Youth For Kanu 92, to lead former president Daniel arap Moi's re-election campaign in Nyanza, but such was the hostility towards Moi that people did not even bother to turn up for Mapangala's concerts. The Moi effect lingered for several years.The danger is also noted by Maji Maji of the famous Gidi Gidi Maji Maji rap duo, who says that he has had to be extra cautious about accepting offers to perform at rallies for fear of the damage this could do to his fan base."The money has to be good enough to get me interested," he said.But political parties may soon have to share or recycle existing artistes because the choice of those big enough to draw public interest is limited. This may eventually cause public disinterest.However, for the artistes, this year is undoubtedly the best election year ever.

Uganda: Fiona Mukasa to Launch New CD Tomorrow

Uganda: Fiona Mukasa to Launch New CD Tomorrow Long-standing gospel diva Fiona Wamala Mukasa will set the stage alight as she launches her latest CD at Theatre La Bonita tomorrow. Fiona Mukasa, who is also a daughter of fallen music legend Elly Wamala, has named her new album, God Bless You Queen Elizabeth.Fiona said that her late father had composed a song for the Queen of the United Kingdom but never got the chance to release it as he died just before its final recording.NEW SONGS: Fiona Mukasa performs at her album launch in the UK. Courtesy photo."By doing this song, I'm simply fulfilling my dad's dream," she said, "I put the song together during the recent Commonwealth Heads of Government Meeting (Chogm) because I wanted it to be relevant to the Queen's visist to Uganda."The show will run from 2 p.m. until late and entrance fee is Shs10,000 in the economy class whilst VIP seating is Shs15,000 and the children will pay Shs5,000.Other artistes to curtain-raise for Fiona include, David Bweyinda, Martin Ssekku, Sean Kimuli, Luther T, Pamela Ssenyonga, Daudi Lumu and Evergreen Dancers, who are the grandchildren of the late Elly Wamala a.k.a Evergreen.The album has seven tracks, namely, God Bless Queen Elizabeth II, Lwaki Tomusinza, Walk in the Spirit, Goodness And Mercy, Falling In Love With Jesus, The Lord alone is God and the remix of God Bless you Queen Elizabeth II.Meanwhile, the album's title track also carries Chogm words and Fiona attributes it to Hon. Andrew Kalyango from the Uganda Embassy in UK and British photographer Peter Horgan who helped her choose the right words."This piece of work was also meant to be a welcoming tune to the Queen and I wanted to do it on behalf of Ugandans," she said."When visitors come and they go back, nothing remains behind so I wanted the song to be a reminder that we once hosted the Queen in Uganda for a big event and the next generation will know."Fiona's brother James Wamala Muwanga recorded the album in his Evergreen Studios in the UK and the vocals were recorded in Kings Studios owned by Charles Ssewanyana while Ezekiel Ssebaggala and William Kiberu did the mixing. "I am looking forward to have a DVD that will be produced by Image Base," she said, "But all the old albums from Tugume to Bisuule and God Of A Purpose will be available during the concert."

Senegal: Country Bans Ivorian Reggae Star

Senegal: Country Bans Ivorian Reggae Star Leading West African reggae star Tiken Jah Fakoly has been banned from playing reggae in the former French Colony Senegal, following a Presidential directive, the Freedom can authoritatively report. Fakoly who is widely loved and admired by Senegalese ran into troubles following a concert show held in the Senegalese Capital Dakar, where he openly composed a lyric calling for Wade's resignation. The popular Musician called on President Wade to step down from power, as he criticizes the rising corruption and maladministration in Senegal. Fakoly has been known as a radical reggae star. His lyrics are mainly directed at corrupt African leaders.Sources in Dakar said Fakoly has been banned by the Wade Government from performing music in Senegal. He was also declared persona non grata by the Wade Government.The move followed increasing pressure both at home and abroad on the administration of President Wade to do away with plans to allow his son Karim Wade to succeed him. Mr.Wade has been accused of grooming his son to replace him.Fakoly is an Ivorian National by birth and was accused of meddling into Senegal's domestic politics by openly calling for its President to step down from power. Authorities in Dakar viewed Fakoly's call as a provocation and interfering into Dakar's local politics.The musician had told a crowd of reggae fans that it was unfair for President Wade to impose his son to Senegalese. He also said if President Wade doesn't want his son to be probe by the National Assembly, he Wade should consider leaving office. The Ivorian musician calls for democracy and respect for the rule of law in Senegal.He was ordered to immediately leave Dakar and not to ever contemplate hosting shows in Dakar.Fakoly was granted political asylum in Mali , following the Ivorian war. Senegal has been his favorite destination, as he often frequents the West African country.Senegal which was cherished for its democratic values has joined undemocratic nations such as the Gambia, in curtailing free speech and dissent. The Wade Government off late had been criticized for its intolerance to dissent. Africa's one time bastion of democracy is shattering the hopes of pro-democracy activists on the continent.President Wade's son was recently summoned to the National Assembly to shed light on an alleged corruption scandal relating to certain official matters. The said move never went down well with the Senegalese leader as he expelled the Speaker of the House from his ruling Party.Reacting to the story, Freedom Newspaper Dakar political commentator Soleyman Mboup said" It's unfortunate that the Government of President Wade is reacting in such a negative way. Senegal which used to be Africa's bastion of hope in terms of democracy and good governance has betrayed its citizens. The government overreacted. Senegal is no longer a pride as far as democracy is concerned." Wade he said has been manipulating the regime and harassing the press." His image has been tarnished locally and internationally. He has been linked to so many financial scandals. His grand daughter set herself on fire in Italy, while Wade was there on a visit. The matter have to do with some financial matters. She is still in hospital. The Government is refusing to shed light on the story. This is a big humiliation for Senegalese." Mboup says he supports the musician call for Wade to step down.

Ethiopia: Songstress Releases New CD Entitled Jidka (The Line)

Ethiopia: Songstress Releases New CD Entitled Jidka (The Line) Born in Mogadishu to an Italian father and Ethiopian mother, Saba has come to represent the meeting of African and European cultures: as an actress she starred in a long-running TV drama, playing the role of a policewoman fighting against the prejudice of her colleagues, while dealing with issues such as illegal immigration from Africa. On Jidka (The Line), her musical debut, she explores the divide between Somalia and Italy with a rare sensitivity and gentle humour; mixing acoustic guitars and koras with traditional African beats and contemporary percussion. The result reflects both one woman’s search for her identity and what it means to be alive in the 21st century, when so many people live in more than one culture. Saba left Somalia when she was 5 years old.   As the product of a mixed marriage and because her father was Italian (Italy being the colonial ruler of Somalia), the family was viewed with some suspicion. They were given 48 hours to leave, forcing them to migrate to Italy. From this point on Saba was determined to hold on to her Somali roots, to learn the language and to mend the broken thread with her homeland through music. Jidka is Saba’s way of telling her story. The word ‘Jidka’, which is the title track, means line – the line that runs on her belly and divides it into two parts – a darker side and a lighter one. This for her represents the union of diversities and the harmony that her parents found when they fell in love. Her story focuses on her identity as multilayered and with many different influences. She sings in her mother tongue – a type of Somali that is spoken in Reer Xamar, a quarter of Mogadishu, and has real expression and rhythm in itself. The result is an album which is a real mix of contemporary and traditional. Many of the songs on the album describe the struggles of life in Somalia. ‘I Sogni’ is the story of a woman who leaves her village for the big city in search of a better life; ‘Melissa’, sung partly in English, is about the plight of many women who escaped the civil war and crossed the desert in search of freedom. ‘Je Suis Petite’ is dedicated to Africa – a continent full of suffering (‘The world is cruel, and I am so little’). Other songs are more romantic, describing love and the importance of living in the moment (‘Manta’). ‘Hanfarkaan’ describes how the wind is linked to the spirit – when it blows strongly it brings us into contact with the spirit of someone we have lost. Saba is joined on djembe, guitar and percussion by long-term friend and collaborator, Taté Nsongan, from Cameroon, on kora Senegalese Lao Kouyate and on vocals Felix Moungara. The album is produced by well-known musician/composer Fabio Barovero, founder of Mau Mau and the Banda Ionica project. As Saba says, ‘we worked to realise a sound which combines past and present, tradition and modernity, with our minds open to a future of increasing cultural mixes.’

Kenya :- NIKKI TO STAR IN 112's NEW MUSIC VIDEO

Kenya :- NIKKI TO STAR IN 112's NEW MUSIC VIDEO Nairobi, 23 November 2007: Kenyan R&B queen Nikki is to have her brand new music video shot by hot US music video director Taj Stansberry, with a special cameo appearance by US R&B veterans 112. The new Nikki video for her track Kipofu will be shot in Nairobi by up-and-coming US director, Taj Stansberry, as part of the MTV Making the Video with Shell initiative. Stansberry, director of videos by Rihanna and Beyoncé, will be assisted on the shoot by a group of up-and-coming Kenyan music video directors participating in the MTV Making the Video with Shell video workshop, which takes place in Nairobi w/c 26 November. Nikki, who recently won Best R&B Artist at the Kisima Awards for the second year running, was selected by MTV base after Kenyan music fans nominated their favourite artists’ names by SMS. Commented Nikki, ‘Taj Stansberry has worked with some of my biggest idols in the R&B world, so it’s a fantastic opportunity to work with him to realise my vision! And the chance to have work with 112 and have them appear in one of my videos is just a dream come true!’ The new video for Nikki featuring 112 will air for the first time on MTV base on NTV and DStv as part of MTV Making the Video with Shell – Kenya, premiering across Africa on Friday 28 December. Kenyan music fans can also catch Nikki and 112 at the MTV Making the Video with Shell wrap party, being held at The Carnivore, Nairobi on Saturday 1 December. Doors open at 22:00 and tickets cost KSH 500. MTV Making the Video with Shell is sponsored by Shell in association with NTV and Capital FM. SMS services are provided to MTV Making the Video with Shell by Mobile Planet

Uganda: Kevin Lyttle to Turn Kampala On

Uganda: Kevin Lyttle to Turn Kampala On IT is now official. Kevin Lyttle will perform at two concerts in Kampala; on December 7 and 9 at Kati Kati and Imperial Resort Beach in Entebbe, respectively. Lyttle comes to Uganda after a successful tour of neighbouring Tanzania, which featured Ngoni and Olomide.The artiste, who is popular among Ugandans for his interpellative soca ballad, Turn Me On, is coming courtesy of Sleek Promotions International.He will arrive on December 3 for a series of radio and televison interviews ahead of the main gig that weekend, dubbed 'Turn Me On Concert'.He will jet in with his full band in the company of the legendary Jamaican dancehall star, Spragga Benz, who also lends his voice to Lyttle's monster hit, Turn Me On.The Kati Kati show will cost sh25,000 (general) and sh50,000 (VIP) whereas the Imperial Resort Beach concert will set revellers back by sh10,000 for adults and sh3,000 for children.Also lined up to perform at concerts are Kenya's DNA of the Banjuka fame, Tanzania's Bush Baby, and top-notch Ugandan artistes.But who is Kevin Lyttle? Lescott Kevin Lyttle Combs (as he was christened 31 years ago) is an international Soca artiste hailing from Saint Vincent. His biggest hit todate is Turn Me On, which he recorded and performed with Spragga Benz.The song, which later turned out an international success, was previously recorded by Kevin and Vincentian Soca star, MaddZart and produced by Adrian Bailey.Lyttle first recorded Turn Me On in Saint Vincent and the Grenadines in 2001. His strong live performances of Soca influenced by dancehall and RnB made the song a huge hit throughout the Caribbean.Slowly, Turn Me On started finding its way into the UK nightclubs. It was officially released as a single late 2003, and reached the number two spot in the first week of its release, spending seven weeks in the Top 10 of the UK Singles Chart.The song later reached number 11 in Finland and number three in Australia; and was a hit in 12 more European countries.The immense success of this song earned Kevin Lyttle a deal with Atlantic Records, the company which he signed for in 2003. Lyttle's self-titled album was released on July 27, 2004 in the United States. Turn Me On featured on this album. The second single Last Drop has been released in markets outside America, and has reached the Top 10 in Finland; top 20 in Switzerland and top 40 in the Netherlands, Sweden and Australia.Performing with Byron Lee and Arrow, he played at the Cricket World Cup 2007 opening ceremony in Greenfield, Trelawny, Jamaica. Kevin Lyttle is now slated to feature on the Miami based DJ GQ's Album, titled Let Em Know, which is expected to arrive in music stores soon.

Botswana: Khoza Determined to Give Disco Music Meaning

Botswana: Khoza Determined to Give Disco Music Meaning By the time he died Christopher "Lebasho" Lobatlamang had already established himself as Botswana's disco king. He had a large following and won an award for his track 'Winy winy'. But Khoza Kehakgametse believes his is the rightful heir and is ready to claim his crown. Ekefinah is the name of his latest and second album, which he is steadfast will have disco fans eating out of the palm of their hands. Already he calls himself the 'King of Disco'. But since the death of Lebasho some five years ago, many have come and gone, some with much promise. Those who have remained have yet to convince the fans that they can fill the void left by Lebasho. A lot of disco artistes have emerged from Selebi-Phikwe and Tswapong areas, although they prefer the fast-paced township style with less Mpaxanga influence. But their music and names have been confined to those areas, they have not been able to expand to other parts of the country.Like Lebasho's type of disco, Khoza's music has much in common with Splash beats. This sound has been able to pass the test of time, not even shaken by the advent of Kwaito in the early 90s, and it is for this reason that the South African band continues to enjoy massive support amongst many southern African countries."This type of disco does not lose its taste unlike the fast paced bubble gum type. The songs remain fresh even after years of release. Batswana like disco music and all we have to do is give them the same quality that Splash is giving them, When you follow people there are certain things you learn from them and I do not necessarily copy from Splash I learn how to do it better," Khosa said.Local keyboardist Tumelo Mafoko has helped many artistes launch their careers and Khoza was lucky to have worked with him on this one. Together with a former band member of Lebasho's, Nico Saulwe, Mafoko has helped Khoza come up with a mellow album suitable for both drinking spots and those who like relaxing tunes in the comfort of their homes."I was inspired by Nico to go into music. He is such a good keyboard player that I always liked watching him play at home. But I knew I had a good voice and the two of us could come up with a good album. We needed Mafoko's experience and he did not disappoint us," he said. The album kicks off with the track Boela gae a slow jam, which changes to a higher tempo midway and gives the listener a chance to get off his stool and onto to the dance floor. Second track Intshwarele would most definitely have those at shebeens stay awake a little longer with its faster beat.Title track Ekefinah, a dedication to Khoza's long time girlfriend from Tswapong also filters down slowly but changes pace midway through and so does Botshelo. The 31-year-old has a good voice almost the same as that of Thabile Mazolwana, another South African disco artiste and it gels well with the instrumentals.Like many but musicians, Khoza's ultimate dream is to conquer the world but he acknowledges that he would need to surround himself with the right people if he is to achieve that dream."I have to admit I grew up listening to a lot of Splash music and wanted to emulate them and as I have started I now want to meet them and propose that they sign me at Dalom Music because I believe I can grow bigger working under a stable that is dominated by this type of disco," he said. The Mmutlane born musician is aiming to join other disco musicians like Bisto Maunge, Hot Spark and Motswapong in a national tour aimed at reviving disco music.

South Africa: 2010 Prelim-Draw to Feature Region's Finest Musicians

South Africa: 2010 Prelim-Draw to Feature Region's Finest Musicians The preliminary draw of the 2010 FIFA World Cup South Africa, the first official FIFA event on African soil, is to feature some of Africa's finest talent. The 2010 FIFA preliminary draw scheduled to take place in Durban on 25 November is set to see Africa's top artists perform to a global audience of millions in 170 countries, said Chief Executive Officer of the 2010 FIFA World Cup Local Organising Committee, Danny Jordaan. Speaking at the South African Football Association (SAFA) House Wednesday, Mr Jordaan said: "The exciting artist line-up includes the voice and spirit of the world-famous Lion King musical, Lebo M, along with one of the show's famous characters."He further added that Freshly Ground, the home-grown group that features a truly African flavour which last year won a European Music Award, will also be featuring on the day.The celebrated Soweto String Quartet, whose music is a fusion of the dance rhythms of Kwela, mbanqanga and swaying African Jazz will also be part of the event on the night.Judith Sephuma, whose debut album "A cry, A smile, A Dance" was released in 2001 and garnered several awards, will also be part of the show line-up, he said."This is our finest opportunity to host a preliminary draw that will really capture the attention of the world. I know this event is going to blow the minds of the world."As South Africans, we need to hold together and be one single team. If we can do that, I know FIFA's first event on African soil will be a tremendous success. I have all the confidence that we will achieve that. I know it will be a great event," said the CEO.A special stage of over 6km's of pine wood has also been constructed to showcase the performers on the night of the draw.The specially constructed stage will also feature revolving platforms and a specially built arena for the orchestra.KwaZulu-Natal will host 2010 matches and Confederations Cup matches in 2009, at the Moses Mabhida stadium.Infrastructure preparations include the King Senzakhona International Airport, which will cost R6.8 billion.The Moses Mabhida Stadium, is tipped to cost R2.2 billion.Earlier this year, the KwaZulu-Natal Premier's Office said municipalities will have to define the Zulu brand and sell it to the international visitors coming to the World Cup preliminary draw.The Zulu brand must be upheld through the courteous and royal treatment of guests at the airport, he said. "When they arrive we must make sure they do not want to go back. The totality of their experience must be such that they will want to come back to our province in the time leading to 2010 and beyond," said Mr Ndebele at the time.

Uganda: Ragga Dee Bringing On the Noise

Uganda: Ragga Dee Bringing On the Noise HE has sung about being a simple man with a simple profile. Meet him and you know that those words drawn from his song Nsaba Onyanjule are a mere figment of his imagination. Daniel Kyeyune Kazibwe a.k.a Ragga Dee is "Big Size" in Kampala speak.A few minutes with Ragga Dee and I discovered that behind the shy demeanour and languid gaze is a strong and focused musician who has set his energies to get to the top. That he is Uganda's main act at the Bring the Noise concert comes as little surprise to him. "I am someone who does not look at things that set me back but rather those that are vital in boosting my prospects. I am a versatile artist whose music genre is 'everything'. I do reggae, ragga, soukous, kwaito, and the bongo flava. I fuse ideas from music around the world to make a sound suitable for all ears. I am the best at fusion music in Uganda; which is why I was the natural choice at the Bring the Noise concerts" he brags. For someone who started out as a D.J in Angenoir discotheque, blubbering anything into a microphone; having 18 albums in his 20-year music career thus far, is worth the sweat. He, however, has one 'regret' - the time he wasted badgering teachers at St Henry Kitovu to help him with math calculations to nurture his engineering dream in O'level."I apologise to all those time I wasted trying to learn Mathematics. My calling was in music and I have no regret," he says nonchalantly.The 34-year-old artiste is one of the pioneers of contemporary Ugandan music and was the first to rap in Luganda. His entry onto the music scene was hard. It was at the time when the Congolese were on top of the game. "We were hardly given any audience," Ragga Dee recalls. So, he took the Congolese Lingala beats, spiced it up with ragga and came up with what is now popularly called Afro-beat."That kicked the Congolese out," explains Ragga Dee.He released his first album, Mukwano in 1991, which was hardly noticed.His 1992 hit, Bamusakata, a simple song is what made Ugandans recognise his talent.It is a success that came with troubles. Rumours were three-pronged. Some claimed that it was Shanks Vivi Dee's song, others thought it was the late Menton Summer's while some took it to be Mola Messe's.He followed Bamusakata with Motherland in 1993. In 1994, he only sang about four songs with Da Hommies.In 1995, he bounced back with the Mukyala Jump Around album.Ragga Dee's second coming was in 1999; the year that he became a household name with the Carry On album.He quickly followed it up with Cissy in 2000. His attempt at a masters' degree in UK didn't bear any academic fruits and he ended up in business.Another two years off the musical scene produced, Empetta in 2002, Mbawe (2003) and Ndigida (2004).To Ragga Dee, timing is important if you are to sell big. That is why he did not release an album in 2005 although he had very many songs."It just was not ripe at the time when so many had got onto the bandwagon of launching albums. I needed to be more creative as times were changing," he explains.And after a lot of ground work, we got Letter O last year and now he recently unleashed Calypso. Worried he never bagged any accolade at the recent PAM awards? Is he waning?"I am just getting stronger." Many have come and gone, yet Ragga Dee has managed to stay around for this long. He is optimistic that even when he retires from the stage, all his songs will still play as golden oldies.Ragga Dee's business acumen sets him apart from other artistes. He has since acquired a Business Administration degree, solely for purposes of 'negotiating good concert payments as well as endorsements.'

Nigeria: 2face Holidays in America

Nigeria: 2face Holidays in America Nigeria's iconic pop star 2face Idibia has made his first trip abroad since he was shot on Thursday October 4, shortly after returning from England where he was named MOBO best African act for 2007. The 32 year-old singer left the country last week for the United States where he's expected to take a deserved vacation, record fresh materials and honour a few engagements. His manager Joice Ize-Iyamu is also holidaying in England .She confirmed 2face's trip, but declined providing specific details. She however insisted the trip is in no way connected with medical treatment. There had been speculations Idibia would be flown abroad for further treatment. But the singer was already walking properly, and he had resumed his normal day-to-day life. He even visited his parents in Abuja shortly before leaving the country.

South Africa: Cellphones a 'Life Jacket' in Digital Music Ocean

South Africa: Cellphones a 'Life Jacket' in Digital Music Ocean IN ONE of its songs, Portland-based jazz band Pink Martini gives sound advice to a young tomato hanging on the vine which, one rainy day, thinks of letting go. It tells the doubtful little fruit to "hang on" - the sun will shine again soon.What relevance could the cutesy ramblings of a nouveau jazz band have for the music industry? Pink Martini itself vetoed the mainstream record companies and released three albums on its own label, Heinz Records. Collectively the first two albums sold more than 1,3-million copies; sales were boosted when the band was placed as a top seller on internet sales site Amazon.While the internet may be helping unknown musicians make a name for themselves, record companies are undoubtedly more worried about its effect on the sale of music and the resultant drop in physical CD sales. Thanks to iTunes and other digital download sites, the CD single has been almost completely obliterated in favour of single-song downloads.Truth is, the rain is coming and the labels are listening to any recommendations as to how they can hang on to the vine, including in sunny SA. For the year to date, the US saw an increase of nearly 200-million full-track downloads, or 46%, while CD sales shrank 15%. The entire industry is expecting a fourth-quarter slump and the question arises, as one local music executive puts it, "How soon will it take before it affects us?" The total local industry wholesale value of recorded music CDs, cassettes and DVDs reached R996m last year, up from R976m in the previous year. This was an increase of just 2%, according to the Recording Institute of SA (Risa).Production and operating costs, however, have increased between 7% and 10% over the year. Risa blamed the squeeze on margins on piracy both in physical formats and illegal downloads.Streaming audio and free download sites are slowly gaining favour, with the four major labels -- Sony BMG, Universal Music, EMI and Warner Music -- providing music in exchange for advertising revenue . But in SA, broadband penetration is expected to hit 3,3-million users only by 2010, so it could be argued that very few South Africans are even exposed to these sites. Record labels essentially invest in the recording and marketing of their artists, but another area of increasing production costs is in reporting digital sales figures to the artists they represent, according to Keith Lister, CEO of Sony BMG Africa and Risa chairman. This, Lister explains, is why there has been a slow uptake in digital by the majors in SA. "We simply can't afford to make our artists' content available (online) and not be able to account for it," he says.Sales in international music titles have been partially unlocked to the local market through the introduction of online stores such as musica.co.za and Pick 'n Play, but executives are still awaiting results.By contrast, however, full-track downloads to cellphone may be just the "sing-song sunshine" Pink Martini was talking about. Even Lister agrees it is the "life jacket" the industry has been waiting for.Universal Music SA, which controls the largest portion of international artist sales along with Sony BMG, says its biggest digital customers are cellular operator MTN and Vodacom's Vodafone Live. Manusha Sarawan, head of legal and business affairs at Universal Music SA, says digital sales form 4% of the company's total turnover, with 97% of these sales derived from mobile. Mobile is at present made up of ringtones, ringback tones and full-track song downloads, but it is the latter category that the record labels hope to develop, because this is where the highest royalties are.It is also easier to protect songs using digital rights management software through a major network.Most local industry executives believe digital sales will form 25% of their total turnover by 2010. Also, cellphone operators and established content brands like local company Exactmobile have the billing systems in place to show customers what they have bought. This also assists music labels in reporting sales figures to their artists, which is a major buy-in for the labels. All four major local players - Sony BMG, Warner Music Gallo SA, EMI and Universal Music SA -- and smaller, independent distributors such as Sheer Records have begun aggressively selling tracks via cellphone. "I don't think major labels are emotionally wedded to the physical CD, rather we are wedded to finding new content and new ways of selling it," Lister says. Four major network operators across Asia, Europe and now Africa have bought into the idea of cellphone subscription music. Vodacom announced last month it would offer unlimited full-track downloads for a subscription fee of R25 a week via a platform called MusicStation. Its 23-million local cellphone users will have 24-hour access to international and local tracks. It has signed deals, through its UK partner Omnifone, to provide at least 1-million tracks when it launches next month. Hopes that MusicStation could double the earnings of the local music industry have met with some doubt from the industry, which seems to believe this could be achieved only if competing operator MTN creates its own subscription model to boost competition and provide access to its 13-million subscribers.MTN has, however, won the exclusive rights to sell songs for popular kwaito artist Arthur Mafokate, but one track alone costs R20, versus Vodacom's more economical weekly fee.Industry estimates are that single-track downloads are up to R20m for the year. While Risa estimates that last year's total digital revenue including cellphone and internet downloads would probably have accounted for sales of R30m, full tracks may already be making their mark. We will only know the official figures when Risa begins reporting on digital downloads. This is planned for next year.

Senegal: Youssou Ndour in Atlanta On Sunday December 9, 2007

Senegal: Youssou Ndour in Atlanta On Sunday December 9, 2007 Following initial review and reactions by fans regarding the venue capacity and vicinity, organizers of the Youssou Ndour concert have confirmed a new venue known as The Dekalb Event Center a.ka Atlanta Live @ 3595 Clairmont Road, Atlanta Georgia 30319.Senegambia Productions has done it again! ATLANTA will once again live up to it's name "HOTLANTA" in DECEMBER @ the Youssou Ndour show with a chance to win three prizes which includes two roundtrip tickets to anywhere in West Africa, $500 Cash and a Desktop computerThey have promised, and they are ready to deliver Youssou Ndour as one of it's two biggest Senegambian events of the year to Atlantans and it neighbors. So, if you have not yet reserved your tickets to Atlanta, now is the time do it.When asked about its second event of the Year which is scheduled with Assane on New Year's Eve , Lekbi quietly replied- It is going to be an evening when Senegambia Productions will also present hot and rising Gambian artists under the management of Gambian Talents international, as well as music by renowned DJ King Solomon and DJ Sheikh Ndong. Tickets for Youssou Ndour will go on sale @ TicketMaster on Wednesday, November 14, 2007.

Uganda: I Have Nothing Against Mayinja's Victory - Chameleone

Uganda: I Have Nothing Against Mayinja's Victory - Chameleone AFTER singer Ronald Mayinja's grand victory at the Pearl of Africa Music (PAM) Awards where he swept four awards, including artiste of the year, speculation was rife that Jose Chameleone, a two-time PAM Awards artiste of the year himself, had misgivings about the victory. But the Kuba Bulungi singer was not about to let things get out of hand.To dispel the rumours, he did not talk back. He acted.Chameleone made a surprise appearance on Monday at AY Pub in Makindye, where Mayinja was performing for the first time since his victory.He stormed the stage in the company of Junior Pliers and rocked the crowd hard with Kipepewo. He was later joined by Mayinja.The star later assured everyone that he was happy for Mayinja, whom he said, was a close associate and was one of the people who helped him (Chameleone) come into the limelight when almost nobody knew him. "That is why when I heard he was appearing here for the first time, I decided to come and perform with him," he said.He said all he wanted was peace with every singer and vowed never to engage in another fight with a fellow artiste. The star recently apologised to singer Bobi Wine with whom he has had a long-running feud.Mayinja vowed to unveil a new album and organise several shows to thank his fans for their support.

Senegal - Daara J, Boomrang

Senegal - Daara J, Boomrang Daara J are the third member in the holy trinity of Senegalese hip hop and have, alongside Positive Black Soul and Pee Froiss, played a major role in defining the contemporary sound of Sene-rap. From passionate hip hop heads to star gazing females everybody in Senegal has always loved them.Itended to prefer the more rugged sounds of their competitors to Daara J's melodic mixture of rap, reggae and soul, but the latest release has drawn me firmly into their camp. With the help of amajor label budget the band has finally been able to fully consolidate the tentative ideas of their previous albums, and create their most mature record to date. "Boomrang" toys with the musical formulae of hip hop, ragga, R&B, and Cuban music, respecting the rules ofall thegenres, while escaping the boundaries of them. The opening title track celebrates hip-hop's homecoming to the African motherland (born in Africa, brought up in America, rap has come full circle) in rapid Wolof rhymes and airy Malian melodies by Rokia Traoré. The rest of the album takes lyrical and musical excursions that spin out several subplots to this overall theme. "Esperanza" is a Senegalese-Cuban anthem beautifully arranged by Sergent Garcia, the quirky visionary of Cuban music. "Number One" puts an African twist on roots reggae, while "Paris Dakar" (featuring French MC Disiz la Peste) and "Magg Dan" stay closest to the hip hop conventionswhich inspired the creation of Daara J in the first place. The only track to skip is perhaps the sickly sweet hymn to hip hop "Hip Hop Civilization", which is too generically soppy for even the most hardened R&B fans. Overall, "Boomrang" is a successful sonic adventurewhich thrives on its defiance of the margins of established sales categories. Is it hip hop? Almost everything passes under the label these days and this most certainly does, even though it doesn't carry a parental advisory sticker. It's a confident new voice of Senegal's generation of cooland is a must-buy forlovers of world music and hip hop alike.

Homeboyz Radio Launced

Homeboyz Radio Launced     At this point HomeBoyz Entertainments reign is as undeniable as global warming. The company’s ascension to the now worthy and most influential Entertainment power house in East Africa is a sign of bigger things to come. But what’s in a name? Look around you…. almost everywhere. Hate it or Love it. HomeBoyz is a brand name that you just cannot choose to ignore. Talk about street credibility, Just check out the HUNDREDS of mathrees and buses (even outside Nairobi,from Mombasa to Busia) all proudly painting the HomeBoyz Mascot and Logo s in their rides. How many barber shops or local kiosks in yo hood floss the HomeBoyz Logo. The only other mobile branding that comes next to this is Manchester united FC and Arsenal FC. This brother and sister is a sign of some serious street cred built over a period of time…. our DJs represent the streets and thats why they are among the very few DJs in Africa that can throw a gig and get over 10,000 paying fans …… without any Musician/Artistes side acts. Now, lets start by saying “change is good” and we can officially crown ourselves with the title “The innovators”. We’ve given you the best DJs, the most memorable gigs, we gave you H2O- Africa’s first ever video Mixing TV show. Do you want more? Were sure you do. That’s why we’ve opened our bag of tricks and pulled out Kenya first urban street radio station…HomeBoyz FM. You will be thrilled to know what we have in store for ya all. We think BIG…we have always been an innovation factory and music is our biggest strength. HomeBoyz Radio is dedicated to all the real music lovers and will be urban young, hip, exciting and most important…… street . We are targeting only GO Getters and all those who aspire for bigger things in life. If you have self respect and proud of your background, culture and appreciate real music….your life’s about to change. Weve been the longest DJs on Kenyan radio airwaves-(been hosting a number of radio shows in all major radio station in Kenya from way back in 1995). This of course has been a long learning experience getting to understand how the different radio stations operate….their strengths, weakness and avenues needed for improvement. Were trying to look past the usual programs that mainly focus on negativity and gossip .At some point listeners get tired of hearing the same old people talking about the usual same old ****and we know you want a change...check it out on